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Roz Clarke

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Write-a-Thon: Chapter Three out, come in Chapter Four... [Jul. 5th, 2009|01:53 pm]
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[mood |busy]


My first missed deadline was Friday. I hang my head in shame. However, the good news is that my desperate whining produced some extra encouragement and a bump in my pledges to the Write-a-Thon.

Chapter Three is now out the door - as ever, please let me know if you have time to read this, or any earlier chapters. Each chapter read earns $5 for Clarion West, and Chapter Three earns a triple-shot venti $15.

Once again I've had to push a section of this chapter over into the next chapter, for reasons of length and weight. It looks like I'm going to wind up with more than ten chapters, unless I can start cutting the text harder than I'm managing at the moment.

Chapter Four is due on Tuesday 7th July. This is now the chapter in which Shelley storms the Majestic Hotel, is implanted with Underground technology, and has to make a decison about where her loyalties really lie.

Tally: $41
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When They Were Right and You Were Wrong [Mar. 16th, 2009|01:20 pm]
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[mood | contemplative]


In his review of Black Static 9, Lawrence Conquest backs up all those critics of Haunt-Type Experience who didn't like the quotes from Parapsychology. Which was, um... almost everyone. Like my CW class, he just doesn't think they add anything to the story.

So do I regret ignoring the advice of a roomful of smart people and keeping the quotes in? Not really. If I'd taken them out I'd always have wondered if I was doing the right thing, because my guts just kept on telling me they had to stay. I still feel like they had to stay.

However, Lawrence describes the quotes as 'pseudo-scientific rationale'. I hate hate hate stories that crowbar weak science into a narrative; it always bounces you right out and makes you go wtf? I'm thinking about midichlorians, and the science bit in the middle of The Time Travellers Wife. The key thing for me in HT-E was that the science was the story. I obviously failed to get that across; I failed to make the SF and horror elements of this story gel.

Is this a personal weakness, or a problem inherent in cross-genre writing? Or both?
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Publication - Haunt-Type Experience [Feb. 24th, 2009|10:04 am]
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[Current Location |Abidjan]
[mood | pleased]

What prompts this post are feelings of guilt at a failure to use LJ; the ass-kickingly awesome[info]mthielbar has given me a shout-out regarding my first semi-pro-flavoured publication. I only posted the news on FB. You can line up to slap me, I can take it. So: hurrah, Haunt-Type Experience is in the current issue of Black Static (issue 9). It's reviewed here.
 

Some background (maybe don't clicky if you're thinking of reading it): )

 



I haven't seen it and I won't see it until 5th March, when I get back to Bristol from Cote d'Ivoire. I'm dying to see what artwork I've got.

 

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Africa, day 36 [Nov. 14th, 2007|10:45 pm]
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[mood |busy]

Word count for Africa: 54676
Word count since Nov. 1st: 29077
Word count for whole damn thing: 116000

...I'm tired /yawn

I haven't finished it. I went off on such a tangent today that although I wrote nearly 5000 words I'm not sure I'm even getting any closer to finishing it. But I ony have 4 days left, so... I have started editing the last draft, which is interesting. It's actually quite fun and immersive to be sticking my hands into both ends of the novel at once. It does mean I don't get any breaks. But, short term, that seems to be working fine.

I am worried about whether I can physically get it all done, as I still have 3 fairly hefty scenes to write and 4/5ths of the editing to do. I suppose the editing will have to be the skimmiest of skim jobs, and the real work will start after the current draft goes off to the MA markers.

I'm going to miss this, when Real Life resumes.
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Africa, day 7 [Oct. 16th, 2007|03:50 pm]
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Words: 4,483
Mosquito bites: 4
Dead ants: 400,000

I'm 2.5k behind target, but I'll put that down to the cold (which seems to be getting better at last) and having to adapt to the heat. I haven't been sleeping. I know - do I ever? - but it has been especially bad. Also I lost yesterday to a particularly difficult scene. I needed a plan for getting Shelley (my protagonist) out of the Angel (a prison hospital) that was rather more developed than "her mates dress up as fairies and help get her out." The Angel is heavily fortified. Shelley is drugged and injured. I badly wanted my world-building team or my Clarion cohort to be here, so I could throw this one out and get exciting ideas from everyone. It was fun cracking it alone, but I'd have really enjoyed the debate.

It's moving again now. It's heartbreaking working from a draft that is *definitely* an old backup, especially as I'm 99% sure that the correct version no longer exists anywhere - I think I've lost 6 months' work - but I'll have something to hand in in December and that's all I can afford to care about at the moment!
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Can you force it? [May. 31st, 2007|10:29 am]
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[mood | contemplative]

Not far to go before Clarion West now, and my drive to get my novel completed before I leave has that distinct look of doom about it. However, recognising the look-of-doom and having to take a step back and think seriously about what I would do next has been interesting and, I hope, useful.

Last week I spent 5 days on a writing course for MMU students at the Arvon Foundation centre at Lumb Bank, outside Hebden Bridge. Incredible place: beautiful view over the valley, black-chimneyed mill at the bottom by the river, wooded slopes, open fires, excellent food and even better company. It was a disaster. 

I had intended to make a Great Leap Forward with my novel. Write like the wind. Have it close to completion when I returned so that I could go into the last stretch before heading away on June 15th, and send it to my workshop group for review before leaving. Total failure. I needed to write around 5000 words a day to acheive this goal, and I topped out at 2000 w/day. Oh, I wrote other things. And I had a couple of nice walks, did some workshops, heard some excellent work read aloud, drank a lot of wine, talked to Ted Hughes (the cat)... But the novel progressed at the exact same speed it had been doing at home.

Being surrounded by other writers, I of course took the oportunity to whine, whinge, moan, complain, yeah, bitch about the fact that I could not seem to get the novel out any faster no matter how hard I squeezed. And what did they all say? Essentially, the answer was 'Well, duh.' 

I realised it's not shameful not to be able to crank out novels at the rate Barbara Cartland did. It takes as long as it takes, and that's a lesson I can usefully apply to all sorts of areas of life at the moment. Too used to working in business, where meeting a deadline is generally just a question of good planning and hard work. Creative work benefits from discipline and planning, and by 'eck, it certainly takes effort, but it's not like dusting crops. It's not even like writing code. It takes a certain kind of emotional energy, and the simple fact is, I have 2000w/day to give, and not a drop more. And that's OK.

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